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HANDICRAFTS


Fascinating Handicrafts Galore

Malaysia boasts a delightful variety of traditional handicrafts. Choices range from priceless authentic antiques to exquisite modern hand-made crafts.

As most artisans are Muslims, Malaysian handicraft designs are heavily influenced by Islam. The religion prohibits the depiction of the human form in art. Hence, most designs are based on natural elements such as the interlacing of leaves or vines, flowers and animals. 


Earthenware


Popular items of traditional design include Perak's labu sayong, geluk, belanga, Chinese dragon kiln ceramics and Sarawakian tribal motif pottery. Contemporary items include vases, flower pots, decorative pottery, sculpture and kitchenware. 






Labu Sayong

Labu Sayong is a black-coloured gourd-shaped clay jar typically used to store and cool water. The state of Perak is renowned for this type of pottery. 





Belanga

Found in many rural Malaysian homes, the belanga is often characterised by a round base and wide rim. It is often used to cook curries, as it is believed that its round base allows heat to be distributed more evenly. 






Terenang

This angular-shaped jar is popularly used for storing water in the states of Pahang and Terengganu. It has a concave neck and a convex body. 







Wood Crafts

Blessed with an abundance of timber in boundless tropical forests, Malaysia is renowned for an assortment of distinctive wood crafts. Traditionally, whole houses were built from elaborate hand-carved timber. Today, antique Malay-styled engraved panels, keris dagger handles, Chinese containers, unique Orang Asli spirit sculptures, intricate walking sticks, kitchen utensils and carved scented woods are among the wide range of exotic decorative items found in Malaysia. 





Metal Crafts

Popular since the early days, traditional brass casting and bronze working are still used to make an array of utensils. More recently in the 19th century, with the discovery of tin in Malaysia, pewter has become increasingly popular. Metal craft products include modern decorative items, kitchen ware and traditional artifacts like tepak sireh sets, rose-water instruments and keris blades. 

Hand-woven Crafts

Marvel at the creative hand-woven crafts of Malaysia. Local plant fibres and parts from bamboo, rattan, pandan and mengkuang leaves are coiled, plaited, twined and woven to produce items such as bags, baskets, mats, hats, tudung saji and sepak raga balls. 








Textiles


Colourful and captivating, Malaysia's traditional textiles are much sought after worldwide. Varieties include batik, songket, pua kumbuand tekat. These textiles are made into all sorts of decorative items, from haute couture clothes to shoes, colourful curtains and delicate bed linen. 

Batik

Referring to the process of dyeing fabric by making use of a resistant technique; covering areas of cloth with wax to prevent it absorbing colours. The colours in batik are much more resistant to wear than those of painted or printed fabrics because the cloth is completely immersed in dye. 




Songket

Utilising an intricate supplementary weft technique where gold threads are woven in between the longitudinal silk threads of the background cloth. In the past, this rich and luxurious fabric demonstrated the social status of the Malay elite. 





Pua Kumbu

Made from individually dyed threads on a back strap loom. Its supernatural motifs are inspired by dreams and ancient animist beliefs. The patterns that emerge are a fusion of the real and surreal. And each weave is distinctive of its maker's hand. 



Tekat

The art of embroidering golden thread onto a base material, generally velvet, was traditionally used to decorate traditional Malay weddings regalia. 









Jewellery & Costume Accessories


Enticing hand-crafted accessories abound in Malaysia. Choose from leather-crafted goods, beadwork necklaces from Borneo or finely made gold and silver jewellery adorned with gems. 

Kerongsang

A three-piece brooch set traditionally used to pin the lapels of the baju kebaya together. Kerongsang usually comes in sets of three. The typical three-piece set comprises of a kerongsang ibu (mother piece) which is larger and heavier. The other two are called the kerongsang anak (child pieces) and are worn below the kerongsang ibu. 






Cucuk Sanggul

A traditional hairpin used to secure hair in a bun at the back of women's heads. Typically made of gold or silver, these hairpins are normally worn in graduated sets of three, five or seven by brides and traditional dancers. 






Pending

A large, intricately ornamented belt buckle worn around the sampin, a skirt-like cloth worn by men, to complement their baju melayu, the traditional attire for men. Traditionally, the pending is a sign of wealth and status for men. 














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TRADITIONAL ATTIRE


A Dazzling Tapestry of Asian Traditions


From magnificent tribal head-feathers with bark body-covers to antique gold-woven royal songket fabric, the array of Malaysia's traditional costumes and textiles are stunningly diverse and colourful. 

In the early days, the aboriginal tribes wore native bark costumes and beads. With the advent of the ancient kingdoms, hand-loomed fine textiles and intricate Malay batik were used by the Malay royalty. As foreign trade flourished, costumes and textiles such as Chinese silk, the Indian pulicat or plaid sarong and the Arabian jubbah a robe with wide sleeves were introduced to the country. 

Today, traditional attire such as the Malay baju kebaya, Indian saree and Chinese cheongsam are still widely worn. 


Malay

Before the 20th century, Malay women still wore kemban, just sarongs tied above the chest, in public. As Islam became more widely embraced, they started wearing the more modest yet elegant baju kurung. The baju kurung is a knee-length loose-fitting blouse that is usually worn over a long skirt with pleats at the side. It can also be matched with traditional fabrics such as songket or batik. Typically, these traditional outfits are completed with a selendang or shawl or tudung or headscarf.
The traditional attire for Malay men is the baju melayu. The baju melayu is a loose tunic worn over trousers. It is usually complemented with a sampin - a short sarong wrapped around the hips. 





Chinese

Comfortable and elegant, the traditional cheongsam or 'long dress' is also a popular contemporary fashion choice for ladies. Usually, it has a high collar, buttons or frog closures near the shoulder, a snug fit at the waist and slits on either one or both sides. It is often made of shimmering silk, embroidered satin or other sensual fabrics. 







Indian

The saree is the world-renowned traditional Indian garment. A length of cloth usually 5-6 yards in width, the saree is worn with a petticoat of similar shade and a matching or contrasting choli or blouse. Typically, it is wrapped around the body such that the pallau - its extensively embroidered or printed end - is draped over the left shoulder. The petticoat is worn just above or below the bellybutton and functions as a support garment to hold the saree. Made from a myriad of materials, textures and designs, the saree is truly exquisite. 

Popular with northern Indian ladies is the salwar kameez or Punjabi suit; a long tunic worn over trousers with a matching shawl. 

The kurta is the traditional attire for men on formal occasions. It is a long knee-length shirt that is typically made from cotton or linen cloth. 


Baba Nyonya

Chinese immigrants who married Malay partners wore the elegant kebaya that can be described as traditional haute couture. 

Hand-made with great skill using sheer material, its intricate embroidery is equivalent to the best Venetian lacework. The pièce de résistance is a delicate needlework technique called tebuk lubang - literally to punch holes. This involves sewing the outlines of a floral motif on the fabric and cutting away the insides. When done correctly, the end result is fine lace-like embroidery on the collar, lapels, cuffs, hem and the two triangular front panels, which drape over the hips, known as the lapik. 






Portuguese-Eurasian

Descended from Portuguese settlers of the 16th century, Melakan Portuguese-Eurasian's traditional attire reflect their heritage. Dominated by the colours black and red, men wear jackets and trousers with waist sashes whilst ladies wear broad front-layered skirts. 









Sarawak

With its diverse ethnic groups, Malaysia's largest state, Sarawak, has a plethora of unique tribal costumes. Using a variety of designs and native motifs, common materials for the Orang Ulu or upriver tribes are hand-loomed cloths, tree bark fabrics, feathers and beads. Sarawak is known for the woven pua kumbu of the Iban tribe, songket of the Sarawak Malay, colourful beaded accessories, traditional jewellery and head adornments. 


Sabah

Like Sarawak, Sabah is also blessed with a rich mix of ethnic groups. Each group adorns attire, headgears and personal ornaments with distinctive forms, motifs and colour schemes characteristic of their respective tribe and district. However, culturally different groups who live in close proximity may have similarities in their traditional attire. Notable hats and headdresses include the Kadazan Dusun ladies' straw hats, the Bajau woven dastar and the headdress of the Lotud man, which indicate the number of wives he has by the number of fold points. 






Orang Asli

Traditionally living in the deep jungles of Malaysia, the Orang Asli of Peninsular Malaysia wore clothing made from natural materials such as tree barks like the terap, and grass skirts. Ornaments include skillfully woven headbands with intricate patterns that are made from leaf fronds. 










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MUSIC AND DANCE



An Exotic Ensemble of Enchanting Experiences


Malaysia's multi-cultural and multi-racial heritage is most prominently exhibited in its diverse music and dance forms. The dances of the indigenous Malay, Orang Asli and different ethnic peoples of Sabah and Sarawak are truly exotic and enchanting. As the Chinese, Indians and Portuguese settled in Malaysia, the traditional dances of their homelands became a part of Malaysia's culture and heritage.


Music


Orchestra

Malaysia has two traditional orchestras: the gamelan and the nobat. Originally from Indonesia, the gamelan is a traditional orchestra that plays ethereal lilting melodies using an ensemble of gongpercussion and stringed instruments. The nobat is a royal orchestra that plays more solemn music for the courts using serunai and nafiriwind instruments.


Rebana Ubi

In the days of the ancient Malay kingdoms, the resounding rhythmic beats of the giant rebana ubi drums conveyed various messages from warnings of danger to wedding announcements. Later, they were used as musical instruments in an assortment of social performances.




Kompang

Arguably the most popular Malay traditional instrument, the kompangis widely used in a variety of social occasions such as the National Day parades, official functions and weddings. Similar to the tambourine but without the jingling metal discs, this hand drum is most commonly played in large ensembles, where various rhythmic composite patterns are produced by overlapping multiple layers of different rhythms. 






Gambus

Brought to Malaysia by Persian and Middle Eastern traders, thegambus or Arabian oud is played in a variety of styles in Malay folk music, primarily as the lead instrument in Ghazal music. Carefully crafted with combinations of different woods, this instrument produces a gentle tone that is similar to that of the harpsichord.


Sape

The sape is the traditional flute of the Orang Ulu community or upriver people of Sarawak. A woodcarving masterpiece with colourful motifs, the sape is made by hollowing a length of wood. Once played solely during healing ceremonies within longhouses, it gradually became a social instrument of entertainment. Typically, its thematic music is used to accompany dances such as the Ngajat and Datun Julud.







Dance


Malay Mak Yong

Originating from Patani in Southern Thailand, Mak Yong was conceived to entertain female royalty, queens and princesses, when their men were away at war. Combining romantic drama, dance and operatic singing, tales of the golden age of the Malay kingdoms are dramatised in enchanting performances. 



Kuda Kepang

Kuda Kepang is a traditional dance brought to the state of Johor by Javanese immigrants. Dramatising the tales of victorious Islamic holy wars, dancers sit astride mock horses moving to the hypnotic beats of a percussion ensemble usually consisting of drums, gongs and angklungs. 



Zapin

Islamic influence on Malaysian traditional dance is perhaps most evident in Zapin, a popular dance in the state of Johor. Introduced by Muslim missionaries from the Middle East, the original dance was performed to Islamic devotional chanting to spread knowledge about the history of the Islamic civilisation. 

Joget

Malaysia's most popular traditional dance, is a lively dance with an upbeat tempo. Performed by couples who combine fast, graceful movements with playful humour, the Joget has its origins in Portuguese folk dance, which was introduced to Melaka during the era of the spice trade. 





Tarian Lilin

Also known as Candle Dance, it is performed by women who do a delicate dance while balancing candles in small dishes. 

Silat

One of the oldest Malay traditions and a deadly martial art, Silat is also a danceable art form. With its flowery body movements, a Silat performance is spellbinding and intriguing. 


Chinese Lion Dance

Usually performed during the Chinese New Year festival, Lion Dance is energetic and entertaining. According to the legend, in ancient times, the lion was the only animal that could ward off a mythological creature known as Nian that terrorised China and devoured people on the eve of the New Year. Usually requiring perfect co-ordination, elegance and nerves of steel, the dance is almost always performed to the beat of the tagu, the Chinese drum, and the clanging of cymbals. 





Dragon Dance

The dragon is a mythical creature that represents supernatural power, goodness, fertility, vigilance and dignity in Chinese culture. Typically performed to usher in the Chinese New Year, the Dragon Dance is said to bring good luck and prosperity for the year to come. Usually requiring a team of over 60 people, this fantastic performance is a dazzling display of perfect co-ordination, skill and grace. 






Indian Bharata Natyam

This classical Indian dance is poetry in motion. Based on ancient Indian epics, this highly intense and dramatic dance form uses over 100 dance steps and gestures. As mastery requires many years of practice, some children begin learning the dance form at the age of five. 









Bhangra

Bhangra is a lively folk music and dance form of the Sikh community. Originally a harvest dance, it is now part of many social celebrations such as weddings and New Year festivities. Typically centred around romantic themes with singing and dancing driven by heavy beats of the dhol, a double-barreled drum, the bhangra is engagingly entertaining. 



Sabah & Sarawak Ngajat

The Warrior Dance is a traditional dance of Sarawak's Iban people. This dance is usually performed during Gawai Kenyalang or 'Hornbill Festival'. Reputedly the most fearsome of Sarawak's headhunters, the tribe's victorious warriors were traditionally celebrated in this elaborate festival. Wearing an elaborate headdress and holding an ornate long shield, the male warrior dancer performs dramatic jumps throughout this spellbinding dance. 




Datun Julud

The Hornbill Dance is a traditional dance of Sarawak's Kenyah women. Created by a Kenyah prince called Nyik Selong to symbolise happiness and gratitude, it was once performed during communal celebrations that greeted warriors returning from headhunting raids or during the annual celebrations that marked the end of each rice harvest season. Performed by a solo woman dancer to the sounds of the sape, beautiful fans made out of hornbill feathers are used to represent the wings of the sacred bird. 






Sumazau

Sumazau is a traditional dance of Sabah's Kadazan people. Usually performed at religious ceremonies and social events, it is traditionally used to honour spirits for bountiful paddy harvests, ward off evil spirits and cure illnesses. Male and female dancers perform this steady hypnotic dance with soft and slow movements imitating birds in flight. 





Bamboo Dance

Another highly popular and entertaining traditional dance is Bamboo Dance. Two long bamboo poles are held horizontally above the ground at ankle-height. They are clapped together to a high-tempo drumbeat. Requiring great agility, dancers are required to jump over or between the poles without getting their feet caught. 

Orang Asli

The traditional dances of the Peninsular Malaysia's Orang Asli are strongly rooted in their spiritual beliefs. Dances are commonly used by witch-doctors as rituals to communicate with the spirit world. Such dances include Genggulang of the Mahmeri tribe, Berjerom of the Jah-Hut tribe and the Sewang of the Semai and Temiar tribes. 

The Portuguese of Melaka Farapeira

The Farapeira is a fast, cheerful dance usually accompanied by guitars and tambourines, performed by couples dressed in traditional Portuguese costumes. 


Branyo

Favoured mainly by the older Portuguese generation, compared to the Farapeira the Branyo is a more staid dance. Male dancers dressed in cowboy-like costumes and female dancers dressed in traditional baju kebayas with batik sarongs sway to the steady rhythm of drums and violins.















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ABOUT TRADITIONAL ARCHITECTURE IN MALAYSIA








Traditional Architecture

Malay

Traditional Malay architecture employs sophisticated architectural processes ideally suited to tropical conditions such as structures built on stilts, which allow cross-ventilating breeze beneath the dwelling to cool the house whilst mitigating the effects of the occasional flood. High-pitched roofs and large windows not only allow cross-ventilation but are also carved with intricate organic designs. 

Traditional houses in Negeri Sembilan were built of hardwood and entirely free of nails. They are built using beams, which are held together by wedges. A beautiful example of this type of architecture can be seen in the Old Palace of Seri Menanti in Negeri Sembilan, which was built around 1905. 

Today, many Malay or Islamic buildings incorporate Moorish design elements as can be seen in the Islamic Arts Museum and a number of buildings in Putrajaya - the new administrative capital, and many mosques throughout the country. 


Chinese

In Malaysia, Chinese architecture is of two broad types: traditional and Baba-Nyonya. Examples of traditional architecture include Chinese temples found throughout the country such as the Cheng Hoon Teng that dates back to 1646. Many old houses especially those in Melaka and Penang are of Baba-Nyonya heritage, built with indoor courtyards and beautiful, colourful tiles. 
A rare architectural combination of Chinese and Western elements is displayed by Melaka's Terengkera mosque. Its pagoda-like appearance is a fine example of Chinese-influenced roof form, combined with Western detailing in its balustrades and railings. 





Indian

With most of Malaysian Hindus originally from Southern India, local Hindu temples exhibit the colourful architecture of that region. Built in the late nineteenth century, the Sri Mahamariamman Temple in Kuala Lumpur is one of the most ornate and elaborate Hindu temples in the country. The detailed decorative scheme for the temple incorporates intricate carvings, gold embellishments, hand-painted motifs and exquisite tiles from Italy and Spain. 
The Sikhs, although a small minority, also have their temples of more staid design in many parts of the country.


Indigenous Peoples of Sabah & Sarawak

Two unique architectural highlights of the indigenous peoples of Sabah and Sarawak are longhouses and water villages. 
Homes to interior riverine tribes, longhouses are traditional community homes. These elongated and stilted structures, often built of axe-hewn timber, tied with creeper fibre and roofed with woven atap or thatched leaves, can house between 20 to 100 families. 

Rustic water villages built on stilts are also commonly found along riverbanks and seafronts. Houses are linked by plank walkways with boats anchored on the sides. Transport around the village is usually by sampan or canoe. 










Colonial Period Styles


The architectural styles of the different colonial powers are used in many buildings built between 1511 and 1957. 

Portuguese

The most notable example of Portuguese architecture in Malaysia is the A'Famosa fort in Melaka, which was built by Alfonso d'Albuquerque in 1511. Nearly annihilated by the Dutch, only a small part of the fortification is still on the hill overlooking the Melaka town, old port and the Straits of Melaka. 










Dutch

Located in Melaka Town, the Stadthuys with its heavy wooden doors, thick red walls and wrought-iron hinges is the most imposing relic of the Dutch period in Melaka. It is a fine example of Dutch masonry and woodworking skills. Built between 1641 and 1660 it is believed to be the oldest building in the East. 



British

Among the most significant landmarks built by the British is theSultan Abdul Samad Building, which grandly overlooks the Merdeka Square, Kuala Lumpur. This Moorish beauty, completed in 1897, served as the Colonial Secretariat offices during the British administration. 

Pre-Merdeka or pre-independence shophouses still emanate the characteristic charm of their earlier days. A display of English ingenuity is the 'five-foot-way' or covered sidewalk designed to shield pedestrians from the heat and rain.

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